WG Moss published his
The actual production itself was interesting because it appeared in three distinct physical sizes, small medium and large - all using the same letterpress blocks and engravings but with varying margins to suit the dimensions of the book.
As was customary at the time the engravings were printed by a specialist printer and married to the letterpress text by the bookbinder. In this case the book was printed by W Lewis, Finch Lane Cornhill and the engravings by R Miller.
According to a contemporary advertisement, the whole was available as two volumes but all three of my copies, (I have one of each size), are bound as single volumes and I am unaware of any other form of binding.
The prints in the more expensive editions of the book used the Chine Appliqué, the process where the engraved illustration was applied to a sheet of very fine bamboo paper which was itself embedded in the normal heavier gauge paper ant the time of printing, resulting in a much sharper image. In the cheaper editions the block was printed directly onto the heavier gauge paper.
This separation in the printing process often explains why loose prints appear on the market and are not always obtained by vandalising rare books, and these individual prints were often sold by the printmaker.
WG Moss was draughtsman to HRH the Duke of Cambridge and was responsible for the drawings from which the prints were made; the actual engraving of the images was undertaken by several different engravers. It has been suggested by Dawson, the author of
Moss, like Stockdale conceived the idea of his book while convalescing in Hastings and had attracted a large number of subscribers to defray the cost of publication, the list running to 4½ pages includes well-known local names of the time such as Amoore, Barry of Barry’s library, Breeds, Briscoe, Milward, Joseph Kay - the architect of St Mary in the Castle, Frederick North, Powell of Powell’s Library, William Scrivens, William Lucas Shadwell, Shorter and Stonestreet.
The book covers the history of Hastings with the obvious reference to 1066 but also mentions subsequent charters, developments and so on. Moss notes the fine buildings in course of erection at Pelham Place but his depiction of St Mary in the Castle is obviously arrived at from a description that he was given because it was not yet built and he incorrectly refers to the chalk cliffs at the end of Marine Parade.
The streets and amenities are described in some detail and notes “it has probably been with a view to prevent the demoralisation of the lower classes of society that no theatre has been hitherto sanctioned or permitted in Hastings”. The 97 fishing boats and their tonnages in 1803 are listed and also a list of the 64 in that remained in 1823. It is interesting that many of the fishermen’s names are still to be found working on The Stade today.